Handel’s Messiah is one of the most enduring works in the choral repertoire, first performed in Dublin in 1742.
Rather than telling a single narrative, it reflects on the life of Christ through a series of texts drawn from scripture, moving from prophecy and birth to sacrifice and redemption. Its choruses, arias, and orchestral writing are direct and expressive, which has helped it remain accessible to audiences for centuries. The “Hallelujah” chorus is among the most recognized moments in all of classical music, but the power of Messiah comes just as much from its quieter, more reflective passages.
After an overwhelmingly positive response last season, we are pleased to bring Messiah back this year. It has long been associated with the holiday season, offering a chance for audiences and performers to come together around music that feels both familiar and meaningful. Whether hearing it for the first time or returning to a yearly tradition, Messiah continues to connect with listeners in a direct and lasting way.
| HANDEL |
The Messiah Teresa Moore Mitchell, soprano Phyllis Pancella, alto TJ Turner, tenor John Daugherty, baritone |
90:00’ |